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Kirt
Master Greytalker


Joined: Jan 05, 2002
Posts: 650
Location: Sky Island, So Cal

PostPosted: Tue Nov 12, 2019 5:51 pm    Post subject: Post 90: The Keep, outside and in Reply with quote

DM's Note on Sources: This post contains spoilers from module C2: The Ghost Tower of Inverness.
Numbers in (bold) refer to keyed areas in the module.

DM's Note: I estimate Highfell to be at about 25.5N Latitude. On 6 November, sunrise should be around 6:37am.


Post 90: The Keep, outside and in

6 November, 570. Highfell Keep
(4am) Long before sunrise the party assembles in a common room, and then proceeds to the stables. All of their gear is packed on a single mule; the other one will be left in the care of the Speaker. Tyrius explains the plan to Eddard in hushed tones while the destrier nods thoughtfully. The Speaker and Sage arrive, both clad in thick leathers and furs against the chill air. The Speaker dismisses the stable hands with a parting word for them to open the postern gate, but to leave it unmanned for a quarter hour, at his command.

When he is sure there are no other eyes about, the Sage removes from under his robes a thick bronze amulet ornamented with jewels secured in heavy sockets. He whispers to the party that the amulet will return them to the keep when the center stud is pressed. It will work wherever they may be, even if the Ghost Tower itself exists on some other plane. He further warns them that only the persons holding the amulet, and all things touching them, will be returned - so that they will need to cluster together, join hands, or otherwise make sure they are all in contact before activating it. Even unconscious or lifeless bodies may be returned, so if one or more of them should fall in their quest for the Soul Gem, they must needs make sure the bodies are brought along as well - if they plan on reviving them.

The Speaker hands Willa a folded piece of parchment. She opens it. In the Speaker’s own hand, affixed with his seal at the bottom, it says in the Common script “The bearer is hereby granted title to, and ownership of, any and all treasures (save only one gemstone previously agreed upon) personally removed from the ruins of Castle Inverness and its grounds.”

The party gathers in a small circle, hands interlocked with one another, or intertwined in the manes of Eddard and the mule. The Sage makes gestures over the amulet, and the gems light up briefly, glowing colors in a rapidly-changing display. “It is set to take you to just outside the ruins, and the return set to my chambers,” he whispers. “Good luck and may all the gods smile upon you." He passes the amulet to Aurora and takes a step back. She presses the center gem.

There is immediately a sickening feeling of being spun about at great speed in the air with nothing to support them. The dull browns of the pre-dawn stable whirl swiftly in the air about them until they can see only one another, and that with features long and distorted as if reflected in a polished metal urn. The amulet remains in the center, hovering up and down, as if at the center of a whirlpool, while all else revolves about it, the farther away the faster. The mule brays frantically and struggles against the grip of those holding its mane.

Fortunately the giddy feeling lasts but a few seconds, and then they fall to the ground. The mule bucks and disappears off into the darkness. The scent of pine is about them and the dark sky above.

(4:30am) The humans and halfling can see little. Those with darkvision relate that they are high on a hilltop, on a wide, sloping trail leading up to the ruins. Below them is a misty forest; above them loom the walls and towers of Inverness. The castle's four towers pierce the dark clouds above, its massive walls anchored deep in the living rock upon which they rest. It must have been potent forces, indeed, that brought this once proud castle to destruction. Far below them and to the south, some eight or ten miles down the valley, faint torchlight from the walls and towers of Highfell Keep, where they were seconds ago, is faintly visible.

The party dusts themselves off and arranges their gear, while Eddard trots off to speak soothing words to the mule, eventually guiding him back to the group. Together they ascend the wide ramp of ancient stone and earth that leads to the front gate of the castle. The walls are 50' tall and 8' thick, with numerous large crumbling holes piercing them at various places. The four towers are each 150' tall - the tallest structures many of them have seen, outside of Castle Ravenloft. A large, rusty portcullis (1) blocks the 15' wide tunnel-like entrance.

Thokk strains his massive muscles, but is unable to break through the portcullis without the aid of Willa. In the end, the ancient, rusted bars yield, their agonized screams of being severed echoing about the courtyard within.

“Thokk not like this place,” muses the half-orc. “Dark magic make Thokk feel weak. Thokk kill this wizard dead.” With one bar broken, the rest prove easier, and Thokk soon has a hole wide enough for even Eddard to enter.

(5am) Inside it is even darker than without, for the high walls block much of the night sky. The courtyard was once stone flagged, and here and there stone actually pokes through the millennia of dead plants and soil that have built up.

Willa looks about. “We be wantin’ ter be long gone afore yon knight shows up, but we be wantin’ him ter believe ther Speaker t’at we war ‘ere. Methinks we should set up a false camp.” She adds that with centuries of Highfellers searching the ruins, there has to be an abandoned campfire about. The party splits up, and soon a small ring of trodden vegetation is found, with bare stone and ash in the center. Willa hobbles the mule, lays out some grain on the ground for him, and distributes most of the gear he was carrying among the party. Meanwhile others have found a door (3) in one of the corner towers.

Leaving the mule at the “campsite,” the party congregates in front of the tower. On the way there, Aurora notes large glyphs and sigils carved into the base of the rock walls. She thinks they translate as symbols of strength and protection, and suggests they are why the walls and towers remain standing a thousand years after the place was built. Thokk spits and makes a sign to ward off magic. “Bahh,” he says, “you read them backwards. Bad writing is draining Thokk’s massive strength. This bad place.”
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My campaigns are multilayered tapestries upon which I texture themes and subject matter which, quite frankly, would simply be too strong for your hobbyist gamer.  http://www.youtube.com/watch?v=7Mp7Ikko8SI
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Kirt
Master Greytalker


Joined: Jan 05, 2002
Posts: 650
Location: Sky Island, So Cal

PostPosted: Tue Nov 19, 2019 11:54 am    Post subject: Post 91: The First Tower (Southwest) Reply with quote

DM's Note on Sources: This post contains spoilers from module C2: The Ghost Tower of Inverness.
Numbers in (bold) refer to keyed areas in the module.

For the "glyphs representing times and stasis", I gave the party copies of the following runes from the Guide to the World of Greyhawk: "Time", "Infinity / Endless", "Lifespan", and "Power".

Post 91: The First Tower (Southwest)

6 November, 570. Ruins of Inverness Castle near Highfell

The symbols found along the courtyard walls also cover the large iron door to the tower. The stone surrounding the door is weather-beaten but solid; it is decorated with ancient scroll work and designs that Aurora believes are decorative, not magical. Barnabus first checks it for traps, then examines the lock, which is set into the very center of the door. The entire lock mechanism is rusted solid, and as such is unpickable. It will have to be forced open. Thokk throws his shoulder against the door, and curses in pain. He batters it a second and third time, his howls of frustration filling the courtyard and likely echoing down the hillside as well. Finally Tyrius pulls him away, and aims a mighty swing of Molly (his magic warhammer) directly at the locking mechanism, punching a hole halfway through to the other side of the rusting iron. With that, Barnabus is able to free the long bolts holding the door in place. Thokk wrenches the door back and out of its frame (though it was made to open in), snapping the failing hinges and tossing it with a great clang and clatter to the weedy courtyard.

Babshapka asks why the door would be locked - wouldn’t defenders need access to the tower, were the keep under attack? Tyrius explains that it was most likely locked on both sides, inside and out. Castle defense, he continues, is about creating secure “compartments” of resistance. Should the courtyard fall to invaders, defenders could still fire at them from the safety of securely-held towers. Should assailants take one corner tower by an assault from the top of the wall, that would not grant them access to the central keep.

The tower interior is as black as night, obscure even to those with darkvision. Tyrius calls upon Pelor to light his shield, then holds it in the open doorway. Behind the door is a large, open circular room with a wrought iron spiral staircase in the center of the chamber, leading down. In the far end of the chamber, worked into the wall, is a stairwell leading upward, but clogged with boulders, rubble, and rotting timbers.

The party files into the tower. Larry pokes and pulls at the stone rubble and fallen wooden beams blocking the stairway up, then shakes his head. He says it is likely that while the outside shell of the tower persists, all of the interior floors above have collapsed and are blocking their way. If the secret access to the ghost tower lies in the upper portion of the tower, it will take them hours, if not a day, to clear the way, and the knight will be upon them by then. They might climb to the top of the walls, and from there up and into the likely hollow tower from above, but any attempt to ascend would furthermore risk collapsing the roof over this floor that is, for the moment, intact, and thus bury their access to the stairs going down.

“Nay, we be not goin’ up when ther way down be clear,” says Willa. She sets a foot cautiously on the iron stair, then shifts her whole weight to it. It creaks and groans, but holds.

“Well, I won’t be going down that stair,” says Eddard resolutely. “I wouldn’t trust it to my weight, even if I could make the corners. I will stand here and guard the doorway - you can explore below, confident that I have your backs.”

“Just so,” replies Tyrius.

“But none of this makes any sense,” objects Aurora. “The Suel brought ironwork to the Flaneass - the best the Flan had at the time was bronze, and that was not even universal. How could a wizard from an unknown pre-Migration civilization rule townsfolk who made doors and staircases in wrought iron without there being any historical record?”

The others ignore her academic objections and move onto the staircase, leaving a full circle turn between each one of them to avoid concentrating their weight. The wrought iron staircase spirals down to a stone landing (4) in the center of a circular chamber 60' in diameter, which is dusty and filled with cobwebs. A 20' wide corridor of worked stone leads into the darkness, through a passage cut into the bedrock of the hilltop. Following it, the party turns a corner and finds the way blocked by an ancient wooden door, rotten with time.

(5:30am) The room beyond the door is caked in a thick layer of dust, with here and there a cobweb-covered rusting iron helm poking through. Other low shapes are piles of rotting leather that could have once been armor or raw hides, so indistinguishable have the ravages of time made them. Another sagging door leads to a hallway beyond, and a smaller room off that has heaps and piles of rotting wood, perhaps the remains of boxes and crates.

There seems to be nothing of interest at all in these dusty subterranean corridors until Thokk takes a step into the chamber beyond. From beneath him, there is the briefest of flashes from the floor. Aurora calls for everyone to freeze in place, while she moves forward in the marching order. Brushing away the dust from the floor, she finds a thin line etched completely across the hallway, wall to wall, and on the inside of the line carved glyphs representing time and stasis.

Whatever magical effect that has been triggered is now done, so they proceed into the chamber beyond (7).

The room is 50' square; its 20' high ceiling has collapsed in two places, leaving rubble, rotten timbers, and two piles of rocks (8' high) beneath the holes. A 10' wide passageway continues north from the opposite wall, visible in the narrow gap between the collapsed sections. As Babshapka slinks into the room to scout the rubble (he being lighter than Thokk), a massive creature climbs into view. It appears to have a leonine body, but is winged and heavily muscled. Whipping its tail over its head, long, wickedly sharp spikes fly forward and impale themselves in Babshapka. The creature then spreads its wings to their full extent, half charges and half glides down the face of the rubble pile, and launches itself at Babshapka with its massive jaws.

The battle that follows is brief, as the party rushes into the room to confront the creature, and it is soon slain. Searching the piles of rubble afterword, with one eye toward potential ceiling collapse, the party finds curiously little sign of the creature: no scat, no acrid smell of cat urine. They do, however, come upon several skeletons — at least some of them are human — covered with dust. There are also various rusted suits of armor, rusted weapons, rotting pouches, and so forth. One of the skeletons is wearing a suit of chain mail, remarkable for the fact that it is not rusty, but rather it gleams brightly in the light of Tyrius’ shield. In a holey leather pouch are two intact glass vials filled with liquid, an ivory scroll case lies beneath one skeleton, and a flat piece of metal with a circle on one end partially covered by rocks is in one corner. Aurora finds the scroll case to have a piece of thick vellum with the spell rope trick on it, much to her chagrin (having traded some of her own spells for a copy of this from the Sage not yet a day ago).

The metal piece is a blue-gray flat and rectangular bar six inches long, one inch wide, and a quarter inch thick with a two inch diameter circle on one end. The other end is slightly indented with a curve exactly matching the relief of the circle. The whole thing is smoother than glass but harder than steel. Aurora inspects it carefully, as its shape and size are indicative of a magic wand, but finds no runes or glyphs. She takes the metal rod and the scroll tube. The chain mail is packed away and Willa takes the vials.

The passageway beyond the partially-collapsed room is immediately noted to be much cleaner than that which preceded. There is dust on the floor, to be sure, but it is a thin layer, and the few cobwebs are in the corners, not crossing the hall. Less obvious, but still noted by Larry, is that there is a slight uphill slant to the passage. It is barely perceptible as they walk, but one of Barnabus’ marbles let loose on the floor rolls smoothly back to the rubble room.

(6am) After a number of twists and turns, they come upon another door - this one with the wood intact (not that that saves it from Thokk’s massive booted foot). After he kicks in the door with a great crash, they search the small room beyond, but find only a few empty pegs in the walls.

After two more bends and twists they arrive at not a side door, but one which bars their way. Thokk opens the door and barely has time to catch a glimpse of the room beyond before a massive boulder, nine feet across and perfectly round, comes hurtling toward them from a steep ramp in the center of the room.

Those in the second rank see Babshapka and Thokk attempt to leap into the room before they themselves turn and dash down the hall, there being no time to enter the room before the stone is upon them. There is the sound of a sickening crunch, and then the boulder is after them, rumbling and crashing as it strikes the stone walls. They lose time turning the corners, but so does the boulder, so that when they reach the first side room, most of them are able to enter. Larry is last and but a step ahead of the boulder. He attempts to leap through the doorway, but his rear foot is caught underneath the stone and then his whole body jerked back. Those in the room see him disappear beneath the great boulder, sparks flying as it grazes the wall.

The rumbling, roaring sound diminishes in the distance, and they move back out into the hall. Larry’s body lies in a rapidly-expanding pool of blood, crushed and broken except for one arm, with the hand reaching through the door frame into the safety of the room. They check him quickly, but the back of his head has been caved in and he is long gone.

Returning to the room from which the boulder came, they find an ill-looking Babshapka kneeling beside the body of Thokk. Thokk is sitting on the floor, his back to the door frame, legs crushed, rib cage stove in, and no light in his open eyes.

“Tyrius, do something!” pleads Aurora, but the paladin shakes his head.

“He is far beyond my meager powers,” the paladin says, but he kneels and places his hand on the half-orc’s chest notwithstanding. Tyrius closes his eyes and whispers a prayer to Pelor. [DM's note: One point of “lay on hands” used] At the gentle pressure of Tyrius' hand, the jagged edge of a splintered rib erupts through the pale green skin.

Thokk inhales sharply, his smashed chest quivering. “Metal-man leave Thokk alone!” he commands. “Thokk is dead, smashed by stone while bravely leading party.”

“Uhhh, Thokk? I don’t think you are dead, dear,” argues Aurora.

“No, no. Thokk very dead. Stone crush life from Thokk’s massive limbs,” the half-orc insists. “Such was tragic demise of Thokk,” he sniffs sadly. Tyrius helps him to his feet nonetheless. As he stands, his form seems to shimmer and his mortal wounds fade away, until he is just Thokk, standing before them unharmed (except for the scratches he suffered from the creature in the rubble room).

“An illusion?” gasps Aurora, then turns and dashes down the hall to Larry. Sufficient slapping and shaking of the crushed corpse of the dwarf dispels that illusion as well, and soon Larry is standing in the hall as if nothing had happened, the erstwhile blood-slick floor now just dusty stone again.

After a few hearty but nervous laughs, the party assembles in the room with the ramp (8). When the last one through the door allows it to close behind them, a second boulder appears poised at the top of the ramp! The party carefully moves to the sides of the room and out the opposite door. Intrigued, Aurora is the last one to leave, and uses her mage hand to open the first door again. Instantly the boulder shoots down the ramp and through the open door. She can hear it crash against the walls, feel the tremors in the floor. It must be a powerful illusion indeed to covey sight, sound, and sensation! When she closes the door, a third boulder appears atop the ramp.

(6:30am) Down a short hallway and around a turn, the party faces a curious sight. The 20' wide corridor ends in a gleaming wall (14) of blue-gray metal, smooth enough to reflect their forms as they approach. In the center of the wall, at about waist height, is a semi-square channel cut into the surface of the metal, eight inches on a side, one inch wide, and about one inch deep. There is a circular shape at each corner of the square.

Aurora takes out the metal rod - it is a perfect fit, with the round end fitting into the corner circles of the cut channel, but nothing happens when she places it so. Not giving up so soon, she tries all four, no eight, possible arrangements. Each of them fits perfectly, like a lock and key, but to no effect. Then Babshapka tells her to flip the thing over, and she tries another eight combinations, but to no avail. Finally, she sighs. “This must be the key…” she muses. “Or maybe part of the key? Shall we try the other towers?”

“Hold a minute,” orders Tyrius. He carefully examines the great metal wall. There are no hinges, and the edges are flush with the stone all the way around, with less than a hair’s breadth gap. He raps at it, pushes it. Finally he shrugs and the party starts back.

(6:40am) Eddard greets the party at the top of the iron staircase. The rosy light of dawn fills the courtyard, though the sun has not cleared the high hills around them yet. It soon will. They can now see clearly all four towers of the castle, as well as a huge pile of collapsed stone in the center of the courtyard. Fully twenty feet high in the center, it consists of old but worked stones which range in size from pebbles to boulders six feet across.

Now that the entire courtyard is visible, as well as the trail leading from the valley below up to the ruins, the party suggests that Eddard stand watch at the gatehouse. They are less concerned about anything sneaking up behind them in the tunnels, and more concerned about the arrival of the knight. The steed agrees amiably, but asks Tyrius to remove his stall blanket first, now that day is almost upon them and he will be in the sun.
_________________
My campaigns are multilayered tapestries upon which I texture themes and subject matter which, quite frankly, would simply be too strong for your hobbyist gamer.  http://www.youtube.com/watch?v=7Mp7Ikko8SI


Last edited by Kirt on Tue Nov 26, 2019 4:16 pm; edited 1 time in total
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SirXaris
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PostPosted: Fri Nov 22, 2019 7:11 pm    Post subject: Reply with quote

It has been an interesting start to the adventure in the Ghost Tower. I was terribly disappointed that Larry died, but Thokk is always a hoot. 😉😋

SirXaris
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Kirt
Master Greytalker


Joined: Jan 05, 2002
Posts: 650
Location: Sky Island, So Cal

PostPosted: Sun Nov 24, 2019 1:21 pm    Post subject: Reply with quote

SirXaris wrote:
I was terribly disappointed that Larry died, but Thokk is always a hoot.

Fortunately, the reports of Larry's death were greatly exaggerated.
_________________
My campaigns are multilayered tapestries upon which I texture themes and subject matter which, quite frankly, would simply be too strong for your hobbyist gamer.  http://www.youtube.com/watch?v=7Mp7Ikko8SI
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Kirt
Master Greytalker


Joined: Jan 05, 2002
Posts: 650
Location: Sky Island, So Cal

PostPosted: Tue Nov 26, 2019 4:27 pm    Post subject: Post 92: The Second Tower (Southeast) Reply with quote

DM's Note on Sources: This post contains spoilers from module C2: The Ghost Tower of Inverness.

Numbers in (bold) refer to keyed areas in the module.

Post 92: The Second Tower (Southeast)

6 November, 570. Ruins of Inverness Castle, Highfell
With Eddard standing watch, the party moves to the corner tower in the southeast. The same carven glyphs, the same rusted iron door are present. Thokk alone is insufficient to batter it down, but between him, Tyrius, and Willa it yields. The sounds they make are far less foreboding set against the backdrop of the dawn chorus of mountain birds than they were in the blackness of night.

Inside, the round tower is nearly identical to the previous one - an iron spiral stair is unobstructed and leads downward into darkness, but the stone stair up is blocked by a different assortment of fallen rock and rotting wood. Without bothering to test the rubble the party heads down.

This time, the underground base of the tower (4) yields to a long west-running passageway cut through the bedrock, as dusty and cobwebby as before. A single room to the side is empty but for a single copper piece.

(7:20 am) When the party turns a corner, a large room is visible ahead through an open doorway. They already suspect that the magic runes on the floor in the other tower triggered some sort of temporal effect, releasing the winged lion creature from stasis. Under Aurora’s direction, Thokk waves his shield vigorously over the floor until the whole passageway is filled with clouds of dust, but the floor is visible. No runes are to be seen, so the party enters. Dust-covered and rusted shields line both walls, some flat on the floor and some propped against the walls. Rotten spear shafts and rusted spear heads are strewn about near the walls. Cleaning a few of the shields, the party finds them embossed with the prominent design of a single tower.

Larry looks at the tower design for an inordinate amount of time - it is rare for the party to see him this deep in thought. Finally, he declares that the keyed room, the room they are seeking to enter, must be under the center of the courtyard - beneath whatever structure is collapsed there. When Willa asks him how he can know this, he takes her two maps, overlays them so that the towers above match the towers below, and presses them against Tyrius’ shield, so that the light shines faintly through the superimposed images. Indeed, if the scale is correct, the room they are seeking to access appears to be in the center of the courtyard.

[DM's Note: Larry gains an Inspiration point]

(7:30am) With nothing else of interest in the open chamber, the party moves into the corridor beyond. It travels north, turns a corner, and ends in an intact wooden door. A rotting wood door is along a side wall.

(7:40am) The side room is empty, save for a single ceramic urn. Aurora uses mage hand to lift the lid, creating a minor cloud of dust and a soft whooshing noise as the seal is broken. The urn is empty inside, but around the bottom of the interior are salt stains. Babshapka suggests dropping the copper coin inside, but before that can happen Thokk lifts the urn up to inspect it, and the vessel crumbles into shards at the pressure of his hands.

The presence of an intact door which blocks their advance clues the party that they may be transitioning to the “timeless” part of the ruins, and a quick search of the floor in front of it finds a similar line with glyphs as was outside the rubble room with the winged lion. The symbols, as before, are those of time and stasis. These glow briefly as the first party member crosses over.

Now warned to possible danger, Thokk enters the room. As he crosses the threshold, an entire ten foot square section of the floor under him flashes, and there is a sizzling sound as a giant snake appears — out of thin air! — blocking the opposite door. It slides quickly over the stone floor and attacks Thokk. Venom drips from its huge fangs, but Thokk keeps his shield between himself and the serpent. As he maneuvers, however, he steps to the left of the door he entered and a different ten foot square section of floor lights up. This time a giant lizard appears in the room, attacking Thokk from behind. As Tyrius, Willa, and Barnabus enter the room more monsters appear - a giant spider, a strange giant armadillo-like creature with feathered antennae, and a hound of hell like those they fought before in the crypts of Ravenloft. The party dispatches these creatures almost as fast as they appear, although the fiery breath of the hellhound roasts Aurora’s familiar, Buckbeak the hawk.

The final creature to appear is a curious large dog with cloven hooves instead of paws. Rather than attack, this fixes Thokk with its gaze, and the half-orc becomes convinced he needs to subdue the creature as his mount.

“Don’t hurt dog! Dog is mine!” he bellows at the party. Ignoring him, Aurora sends a massive firebolt at the creature, burning it to death. Enraged, Thokk turns and charges at her, knocking her back against the wall of the hallway with a blow from his axe. Only Larry saves her from a fatal follow-up blow, as he throws himself at Thokk, taking his legs out from under him. By the time Thokk regains his feet he has come to his senses and leaves off his attack.

At this point, floor squares in the room (5) continue to light up when the party crosses them, but no further monsters appear.

(7:50am) After the monster-generating room, the hallway turns three times and ends in another door, but with a side door on the way. Both of the next two rooms are searched, but found to be empty.

(8:10am) Beyond the second empty room is a short corridor opening upon the largest chamber they have found yet. Approaching cautiously, they find that glyphs have been etched completely around the door frame, rather than the ground in front of it. Peering inside, they see that the 90' x 90' room (6) has a 20' high ceiling; there is a 10' wide passage in the center of the west wall. Spread throughout the room are 16 bugbears without weapons, standing perfectly still; however, they do not appear to be statues, but live and hairy, albeit frozen. In the center of the north wall is a 10' long, 5' wide, 5' tall stone sarcophagus engraved with lettering.

With one eye on the bugbears, the party discusses plans in the hallway. Aurora calculates the volume of a fireball in her head, and concludes that while it will be compressed by the ceiling and spread out further on the sides, its diameter will not fill the room or imperil blow-back into the hallway. Babshapka checks the ceiling of the room, and finding it to be carved from bedrock but not supported by timbers, agrees to the use of fireball. With the fighters blocking off the hall, the plan is to activate the bugbears, get them to bunch together, and then have Aurora cast her spell.

Willa enters the room, and immediately four of the brutes turn and move toward her. She pulls back behind the threshold, and another four join their comrades. Aurora waits until they are clustered together as they gather at the doorway, then launches her fiery missile, detonating it about a third of the way across the room. Six of the moving bugbears go down, another two are shambling forward but still in flames. The force of the blast has not damaged any of the stationary ones, but it does seem to have activated several more. Feeling that the number left is now manageable, the party enters the room and engages in a general melee, not taking long to kill the ones remaining.

The party gathers around the sarcophagus. The letters are unintelligible to anyone - not even their language of origin is recognized. Aurora begins a ritual casting of read languages while Thokk and Willa between them manage to lift off the heavy lid and carefully set it aside. There is no coffin inside - instead, the bottom of the sarcophagus holds hundreds of copper coins. Stirring them around with a pole brings several silver coins up to the surface. All of the coins are heaped to one side of the sarcophagus, and then pulled to the other side one at a time. The copper is left there, the silver pieces are pulled out and collected, more than a hundred all told. Along the way four gems are found as well as another bar of metal - this one identical to the first except for the fact that it is glowing!

[DM’s Note: 600cp, 200sp, 4 gems, key. No coins taken. 4 gems taken by Tyrius]

Aurora is still working on her ritual, but Babshapka fishes through her gear until the first bar is found, and finds now it, too, is glowing. As he holds both of them in his hands he feels an attraction between them, as a lodestone is attracted to metal, but stronger. He brings them together, ball-end to curved end, and there is a bright blue flash. When he can see again he finds that they are no longer glowing, but have fused together in a perfect right angle and such that no joining line is visible - they have become a single piece.

Soon after this Aurora finishes her spell - she deciphers the lettering as saying: “Beware the death that will someday end."

(8:30am) Leaving the great chamber, the party passes through a smaller chamber, then down a hall. After a brief search of a side room, they continue on until arriving at another metal wall. This one has the same four-sided indentation they take to be the lock. They try their new key eight different ways, to no effect. At this point they are tired and wounded enough to consider a rest. “I ain’t restin’ down ‘ere,” says Willa, “but up in ther open air.”

Tyrius pauses and clears his thoughts, reaches out to find the mind of Eddard. The horse tells him that, “Well, the sun is up. The mule is thirsty. But I haven’t seen the knight.”

(9am) The party congregates in the courtyard, just inside the gatehouse. Many wash and then bind their wounds. Some rest. Willa sees that the mule is watered. Aurora unpacks her brazier and begins casting the hour-long spell she will need to summon another familiar.

Babshapka stands for a long time looking out of the gatehouse, down the valley. He can see Highfell Keep on its bluff, and the fields around it, but most of the way between there and here is obscured, behind ridges or on the pine-covered slopes. Without seeing the knight’s party actually leave the keep, they could be well on their way here and not visible until they were quite nearby.
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Kirt
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Joined: Jan 05, 2002
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Location: Sky Island, So Cal

PostPosted: Tue Dec 03, 2019 11:16 am    Post subject: Post 93: The Third Tower (Northwest) Reply with quote

DM's Note on Sources: This post contains spoilers from module C2: The Ghost Tower of Inverness.

Numbers in (bold) refer to keyed areas in the module.

Post 93: The Third Tower (Northwest)

6 November, 570. Ruins of Inverness Castle

(10:30am) The party, now including Charlotte the spider, forces entry to the third corner tower. Like the previous two, its upper stories have collapsed into rubble, but the way down an iron stairway is clear.

The landing at the bottom (4) is as dusty and cobweb-filled as those previous, and opens onto a wide corridor leading to a door. The door itself is in good condition, and a brief inspection finds the telltale glyphs of time and stasis just outside.

The room beyond (9) is 30' square, with the ceiling 10' high; a door is in the center of the opposite wall. In the center of the room is a three foot tall crystal pedestal with an eight foot diameter crystal ball on top of it. There are engravings on the pedestal.

(10:40am) Entering the room, Aurora finds the engravings to be in the Suelese script. They are pronounceable, but not words that she actually recognizes. Moving around the sphere, she finds the same four words engraved on each of the pedestal’s four sides. Babshapka is close behind her, and he notes movement within the ball. Upon examining it more closely, he sees that there are four different (but unidentifiable) shapes moving around inside the crystal ball.

Others move into the room and read the words to themselves. Babshapka is the first to note that the words appear to each person to be in their own language, for he sees the engraving to be in elven. Thokk and Larry, both illiterate, just see incomprehensible symbols.

In each language, the words are pronounced:

IXAM
ALRASTIL
PENTUKO
MYRG

All of the party are in the room when Babshapka, deliberately testing an idea, asks the others, “Do you see the first word as Ixam?”

At his pronunciation of the word, the floating figures in the sphere suddenly change direction, then there is a flash in the room itself and a huge, muscular ape with great canines appears. For several moments no one does anything, as Aurora gestures everyone to stand down, hoping that the creature might be friendly. Once its summoning daze has worn off, however, the brute bellows and charges, and the party is forced to put it down.

As the ape lies dying, there is another flash from the sphere, and though the party crowds around, they still see only four shapes within - and the body of the ape is gone. A more careful inspection follows - the party notes that when they touch the sphere, the shapes moving within react by changing direction - not toward or away from the touch, necessarily, but they change the course of their drift, to be sure.

Barnabus tries the door on the south wall. Though it appears to be a normal wooden door, he cannot open it, either through force or his tools. It appears impervious to anything he does to it. The crystal appears equally immovable from its position atop the pedestal.

Babshapka and Larry peer intently into the sphere, and Babshapka says “Ixam” again. Ignoring the fight with the ape that appears, this time he confirms that when the creature appears, one of the floating shapes disappears from the globe, but when it is slain, the floating figure appears again.

This is all well and mysterious, but many in the party now remember the knight and their need to move beyond the door. A few ideas are suggested, until Babshapka says, “Well, what about the second name? “Al-”

“Don’t!” shouts Aurora.

“-rastil,” finishes Babshapka. Into the room now appears an improbably large toad, larger than a war dog. It is dead white, with undertones of pale blue. This time, the party does not hesitate in attacking, but even as they rush forward, those in the front rank are hit by a wave of bitter cold.

Though they had all emerged unscathed from the fights with the apes, by the end of this fight, several of them are now nursing wounds from frostbitten skin. The door is tried again, but still there is no way past, and still four shapes float within the crystal.

“And if we say all four words?” asks Babshapka.

“DON’T!” shouts Aurora immediately. And then, seeing that Babshapka is not going on, and realizing that she has no better ideas, continues, “At least until we are all ready.”

The party arranges themselves around the room, spread out and covering all areas. Babshapka and Larry are still at the sphere, watching the figures. When everyone nods their agreement, Aurora gives assent to Babshapka, and he says all four words in rapid succession.

In addition to the ape and toad, this time there appear both a minotaur with a great axe, and an owlbear, with three of the creatures in one corner of the room, near Babshapka.

At the time all four creatures appear in the room, the figures in the crystal all disappear, and almost immediately the crystal begins to shrink - decreasing in size until it is less than a foot across and is rolling around in the curved depression at the top of the pedestal. Larry jumps up, grabs the ball, and attempts to smash it by hurtling it to the floor, but it bounces across the stone and rolls off.

This fight is considerably more bloody than the previous ones. The ice toad’s cold affects several in the party, but fortunately seems to wound the other monsters as well. Willa takes two massive blows from the Minotaur’s axe. Her plate protects her from being cut in two, but she lies battered and unconscious on the floor. Larry uses his thorn whip to pull the owlbear to Tyrius, but when the creature dies it collapses on top of the paladin, pinning him to the floor. Eventually the party wins out, with the minotaur taking a truly massive amount of damage before it collapses. This time, all four bodies of the slain monsters remain in the room. When Tyrius is pulled out from under the owlbear, he is able to revive Willa, but many in the party remain wounded.

Aurora recovers the crystal ball and places it carefully within her backpack. When Barnabus tries the door, he finds it now opens easily.

(11:20am) The party makes their way into the hall, which has only a thin layer of dust on the floor and minimal cobwebs. There is a long corridor continuing south, with several doors leading off of it. Aurora reminds them again of the need to move quickly, before the knight and his forces arrive. She suggests they proceed to the end of the tunnel, and then work backwards if they do not find the key in the last room.

Willa and Tyrius, however, insist on being more cautious, and not leaving anything behind them. When Thokk opens the first door and finds only an empty chamber with no exit, Willa and Tyrius enter to search more carefully while the rest of the party pushes ahead.

(11:30 am) The main party continues down the hall, pausing only to verify that the next two rooms appear empty, before turning the corner into a larger chamber.

(11:40am) Tyrius and Willa move down the hall toward the rest of the party, standing at the threshold of the open room. The room (10) is 30' x 50', the ceiling 20' high; a 10' wide passage continues from the center of the south wall. Four irregularly-shaped tunnels open into the room in the northeast, north, northwest, and southeast walls; each is roughly cut out of the rock and about eight feet tall. Between two tunnels, in the northwest corner of the room, is a large chest of iron, secured with a lock.

Aurora sends Charlotte into the room. The spider crosses the floor, passes by the chest, and enters the tunnel to the north. The tunnel is huge to the spider, and it takes her some time to reach the back, which finally appears to dead-end. She does not see or feel anything about.

By this point, the arrival of Tyrius in the corridor behind them (and with him his lighted shield) has brought a dim, shadowy light to the room - enough that Barnabus dares enter. He crosses the floor, and then begins to examine the chest from behind. At this point Charlotte and Larry feel through the floor the arrival of something large - most of them hear rocks falling and stone shifting in the tunnel to the south.

Still hesitating in the open doorway, the party pushes themselves against the walls and attempts to hide as a creature emerges from the south tunnel and crosses the room. The creature is huge and bipedal, but with beetle-like mandibles and four eyes - two on the sides, and two on the front of its head. These eyes produce a faint red glow in the dim light.

When the creature is in the center of the room, it turns to look upon the corridor. It obviously sees the party, but does not immediately react - rather, it turns to face them squarely, its two front eyes blinking in the light of Tyrius’ shield. Aurora, now returned from merging her consciousness with Charlotte, again urges the party to stand down and see what the creature wants.

As it stands there, though, those in the front rank begin to see the front eyes glowing with a multitude of colors - not only reds, but purples and blues as well. Soon Thokk is staring at it slack-jawed, until his grip relaxes and his sword clatters to his feet. Only then do they realize that the creature is using some sort of gaze attack on them. At that point, they enter combat, but many of them are already transfixed, or worse, wandering off or even attacking one another. Larry casts a moonbeam, which does affect the creature, but also those trying to melee with it. By the time the creature is finally slain, Thokk and Tyrius are in a bad state and several others in the party have been wounded as well. They all agree that they cannot proceed much further.

(11:50am) The lock on the chest is in good repair, and Barnabus soon has it open. The chest is filled with coins - hundreds each of gold and silver pieces. Dumping them all out, a third key is soon found, and, when brought in contact with the others, it fuses itself to make a three-sided piece.

[DM Note: total 400sp and 700gp. Barnabus takes all gold coins, party leaves the silver]

Tyrius has been speaking with Eddard telepathically, and when the party is ready to move he tells them that his steed has spotted the knight and all his entourage. They are more than an hour away, by the horse’s estimation, but they are on the road to the ruins and closing.

The party agrees to quickly check the rest of this passageway and then return to the courtyard. The exit to the south turns a corner and then passes through an empty room.

Not pausing to search any more than just checking for obvious signs of traps, they continue on. What follows is a long corridor which finally turns and ends in the reflective metal wall (14) they know well, complete with the four-sided “keyhole”. Aurora quickly works the key through its eight possible combinations, then they return briskly through the hallways and up into the courtyard.

(12:10 pm) The noon-day sun beats down on them and the courtyard is abuzz with insects. Joining Eddard at the southern gate, they can indeed see the knight and his force coming up the road towards them, though still miles off. Their shining mail glints in the sun and their tabards stand out against the dull green of the pine trees. They are going at the walking speed of the infantrymen, thankfully.

In a rapid conversation, they all agree that they need to rest before they are capable of facing either the last tower or the knight, but that they will not have enough time to rest before the knight arrives. They do have Aurora’s rope trick - but where to use it? It is quickly agreed that they will enter the last tower, but take every precaution to make it look like they have not entered, and use the rope trick once inside. With luck, the knight will waste time searching the three towers that have had their doors forcibly removed, allowing them to complete their rest and hopefully stay ahead of their pursuers on their way to finding the last key.
_________________
My campaigns are multilayered tapestries upon which I texture themes and subject matter which, quite frankly, would simply be too strong for your hobbyist gamer.  http://www.youtube.com/watch?v=7Mp7Ikko8SI
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